“FREEDOM FORUMS 2017
A Conversation on Freedom
Tuesday, September 26, 6-8:30pm”
“Federal Hall, 26 Wall Street, New York, NY
”
“Talk freedom – personal, artistic and civic – with a group of accomplished poets, activists and performers in Federal...
FREEDOM FORUMS 2017
A Conversation on Freedom
Tuesday, September 26, 6-8:30pm
Talk freedom – personal, artistic and civic – with a group of accomplished poets, activists and performers in Federal Hall’s Grand Rotunda. Hear what freedom means to them at this critical juncture in American democracy, and join the conversation with your insight and experience. Additional readings and performances by the talented Poets in Unexpected Places.

FREE TICKETS WITH RSVP

EMERGENCY CALL FOR SUBMISSIONS: This past week, the Supreme Court reinstated the Muslim Ban for all but those travelers with a “bona fide relationship” with the United States. At AAWW, we want to ask what’s a bona fide relationship, anyway?
We’re...

EMERGENCY CALL FOR SUBMISSIONS: This past week, the Supreme Court reinstated the Muslim Ban for all but those travelers with a “bona fide relationship” with the United States. At AAWW, we want to ask what’s a bona fide relationship, anyway?

We’re looking for stories, poems, essays, visual art, and more that respond to the Muslim Ban and imagine creative openings and counternarratives as to what a bona fide relationship might be, whether with your family or the state. We’ll publish the work in our BONA FIDE RELATIONSHIPS portfolio in our online magazine. Time is of the essence. Submit pieces here: https://aaww.submittable.com/submit/89079/rapid-response-call-for-submissions-bona-fide-relationships

Drumroll, please… We are thrilled to announce AAWW’s Spring 2017 Open City Muslim Communities Fellows and our 2017 Margins Fellows.
The Open City Muslim Communities Fellowship supports emerging writers of color from communities under attack from...

Drumroll, please… We are thrilled to announce AAWW’s Spring 2017 Open City Muslim Communities Fellows and our 2017 Margins Fellows.

The Open City Muslim Communities Fellowship supports emerging writers of color from communities under attack from Islamophobia as they write about low-income immigrant neighborhoods in New York City.

The Margins Fellowship incubates emerging Asian American creative writers, giving them a home for their writing, guidance from mentors, residency time, and more.

Through our fellowships, we aim to nurture writers, activists, and intellectuals so they can dream a new American mythology beyond segregation, immigrant exclusion, and Islamophobia. Meet the newest additions to the AAWW family, and learn more about our fellowship programs here.

Now on AAWWTV: Surreal Lives with Alex Kleeman, Deepak Unnikrishnan, and Katie Raissian

Watch the full event of critically acclaimed authors Deepak Unnikrishnan, author of Temporary People, and Alexandra Kleeman, author of You Too Can Have a Body Like Mine and The Intimations, read from their new story collections. Afterwards they chat about life and death, home and migration with Grove Atlantic editor Katie Raissian.

EVENT: It’s been 40 years since Asian American legend Maxine Hong Kingston published The Woman Warrior: Memoirs of a Girlhood Among Ghosts. On Thursday, April 20th, we’re celebrating Kingston’s oeuvre and the magical, feminist ur-text that helped...

EVENT: It’s been 40 years since Asian American legend Maxine Hong Kingston published The Woman Warrior: Memoirs of a Girlhood Among Ghosts. On Thursday, April 20th, we’re celebrating Kingston’s oeuvre and the magical, feminist ur-text that helped define Asian American literature with Guggenheim Fiction Fellow Monique Truong. While this event was previously sold out, we’re relocating this event from AAWW to Verso Books, so sign-up before we run out of seats! Register here:
http://aaww.org/curation/maxinehongkingston2017/.


Not in New York? Well, we’re proud to launch our inaugural AAWWTV LIVESTREAM to broadcast their conversation. If you couldn’t get a ticket or live outside New York, grab your popcorn and watch remotely on our Facebook:
https://www.facebook.com/AsianAmericanWritersWorkshop.

arabellesicardi
I once heard Joy Harjo speak on a panel about history and poetry. She sat quietly for much of it. The other panelists said a lot of things. Harjo remained the only quiet one. Her quiet had a straight back. And then she interrupted one of the panelists and said something like, “That reminds me of the time…” and she spoke of a fellow Native American professor who committed suicide near the end of one of the years, and how he must have been hurting and isolated, but not many people spoke about that, or spoke about his death or their loss when he died. And she said she was at home one day and she noticed a black thread or string floating in the window, and she observed it for a while until she realized that that black string was grief. The grief of the professor, the grief of the students, her own grief, the grief of silence, a historical grief, and that she knew that it was her job to take that thread and put it somewhere, weave it into the larger tapestry (she made a gesture, then, as if that tapestry were just above her head). She said it was her job to put that grief in its place, or else someone else would be out walking and just walk right into it, without knowing what it was they’d walked into and inherited. The danger of that. And that is all I remember from all of the things that were said that entire day.
from “A Tending,” Aracelis Girmay (via commovente)